Let me first start off by saying that
I’m not familiar with Elizabeth or Robert Browning, in fact I’ve never even
heard of them before. I just read The
Dramatic Monologue: Sympathy versus Judgment by Robert Langbaum and I could
tell that this piece was one of the most important pieces. Although at times I seemed
confused, I thought that this piece was very interesting and I just wanted to
keep reading.
Summary:
Robert Browning’s The Dramatic Monologue was one of the pieces of work that
was looked at in a conference in London. I don’t think that there is an exact
definition as to what dramatic monologue means, but after reading this piece I gather
that it could be defined as multiple things. For example, a person (someone who’s
not the poet) speaks the speech that makes up the poem in a specific situation
or special moment. Langbaum says “The dramatic monologue must have not only a
speaker other than the poet, but also a listener, an occasion, and some interplay
between speaker and listener”.[1]Another
definition of a dramatic monologue could be that this person also addresses and
interacts with one or multiple people. We as the readers know exactly what they
say/do, but that’s because of the clues that the single speaker gives. In a dramatic
monologue, it’s important that the poet’s choice enhances the reader meaning that
the piece is interesting and draws people closer. Like I said above, I wanted
to keep reading about the monologue because I was so interested in what it
actually meant. Some of the most famous monologues from the Browning’s are My Last Duchess and Childe Roland and Caliban. Another quote I found to be interesting
was the quote on page 537 “He is doing what Browning does in all the dramatic
monologues on religion-making the empiricist argument, starting without any
assumptions as to faith and transcendental values”. This quote is stating that
even though Blougram may not be completely right because he knows his argument
isn’t the best doesn’t mean that it’s necessarily wrong. I think that if
someone says something meaningful their “answer” wouldn’t be wrong. As long as
that person can back up their answer with information then no answer could be
wrong.
[1] Robert, Langbaum. "The Dramatic
Monologue: Sympathy versus Judgment." Robert Browning's Poetry:
Authoritative Texts, Criticism. By Robert Browning and James F. Loucks. New
York: Norton, 1979.
I like the quotation that you include towards the end of your blog. It makes an important point about Browning's treatment of religion--that he doesn't expect his readers to hold any particular religious beliefs or knowledge about doctrine; instead, the argument for or against religion is developed empirically throughout the poems themselves.
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